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Transcript of Free Will Analysis of Dante and Milton. Framework and Research Topic: Free Will Analysis of Satan in Inferno and Paradise Lost Dantean Free Will

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"Suffering In Hell: The Psychology Of Emotions In Dante's Inferno." Pedagogy: Critical Approaches To Teaching Literature, Language, Composition, And Culture 13.1 (2013): 77-85.

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The Divine Comedy is a three-part epic written by Dante between 1308 and 1320. It describes the author's pilgrimage through the three realms of the afterlife as he learns how we can find lasting joy in God.. Inferno: Having lost his way in life, Dante descends through the nine Circles of Hell with the poet Virgil, one of the most virtuous of the …
At each of the sevenplanets along the way, Dante stops and talks with some saved souls, convenientlygrouped in some category in a method analogous to what we have come toexpect after Inferno and Purgatorio.

 

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Inferno (Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. It is an allegory telling of the journey of Dante through Hell, guided by the Roman poet Virgil. In the poem, Hell is depicted as nine circles of suffering located within the Earth.…
It is an epic poem that consists of three books: Inferno, Purgatory, and Paradise, which chronicle (narrate) the adventures of Dante the Pilgrim (a fictitious character personified by Dante himself) in his travels through Hell, Purgatory, and Heaven.

Inferno (Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. It is an allegory telling of the journey of Dante through Hell, guided by the Roman poet Virgil.
“Dante's portrayal of Hell in the Inferno is an undisputed masterpiece of visual and allegorical imagery, enriched not only by extensive use of figurative language, but by concrete physical descriptions as well” Dante had allegory down to a science, and applied it to every aspect of his Inferno....


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A work in terza rima that details a descent through Nine Circles of Hell, The Inferno encompasses temporal, literary, and political bridges and chasms that link Dante's inspired Centaur work between the autobiographical and the fictive, the mundane and the divine and, from a contemporary viewpoint, the Medieval and the Modern‹Dante's recognition of the Renaissance as our millennium's metamorphic period and of himself as its poetic forerunner (until deposition by Shakespeare)....

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It is here that Dante meets the great lawgiver,Justinian, and here that we are told the tantalizing little anecdote ofRomeo da Villanuova (canto 6, 127-143), interesting because of its obviousparallels to the story of Pier delle Vigne in Inferno, 13 (and ofDante himself).

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(The Donati were a large and occasionally powerful Florentinefamily: Corso Donati was the infamous leader of the Black Guelfs, and Dante'sown wife, Gemma, was herself a Donati.) The second soul Dante meets, Constance,is mother of Frederick II, who is in the tombs of heresy in Inferno, andis grandmother of Manfred, who waits at the base of the mountain in Ante-Purgatory.

It is followed by Purgatorio and Paradiso

For example, in Dante’s Inferno, Satan is massive, strong and beast-like, chained like Cerberus in Hell for the punishment of mankind, chewing on the bodies of history’s greatest traitors like a vicious dog.